Shows to Love: As You Like It Presents | Ghostly Meets Spectral
SAN FRANCISCO TONIGHT: There are shows that are not to be missed, and then there are shows that you can be certain are never EVER going to happen again. Tonight, our friends with As You Like It are bringing out one of THOSE kinds of lineups, with a full room of Ghostly International and Spectral Sound artists for your dome. Featuring Ryan Crosson (Spectral/ Visionquest), (the almost NEVER seen) Osborne (Ghostly/ Spectral), and Solvent (Ghostly), all of which adds up to—well, it’s just all a bit too exciting to put into words, really.
And yes, though this is very last minute, discounted presale tickets are STILL available here (until 6pm PST), and more will be available at the door.
Still need convincing? Plug in to the sets below, and prepare for awesome. See you at Public Works!
Ryan Crosson is one of the four gents who make up powerhouse collaboration Visionquest, and as far as fast-rising artists are concerned, this one comes with a bullet.
Osborne is Todd Osborn is Soundmurderer is Superstructure is one half of TNT … and the list goes on, really. For more on him and his varied career, check out this interview he did with the Red Bull Music Academy here. Also, check out his mix for the XLR8R Podcast here.
Solvent has been making beautiful, “genre-defying” electronic music for a decade and a half, and his most recent album, Subject to Shift was released in 2010 on Ghostly International. You can also find his releases on Morr Music as well as his own label, Suction Records.
Deepchord | “Sheremetyevo Airport (Moscow)”
Dub techno pioneer and the man behind Deepchord, Rod Modell, gives a rare interview with Inverted Audio, and where he discusses his musical development, how growing up in Detroit has informed his compositions, his studio setup, and the evolution of his Deepchord project. In addition, he shares an exclusive track (above), in which the primary element a field recording made at Sheremetyevo Airport in Moscow, and which merges the aesthetic of Music for Airports into actual airport noise quite neatly.
The latest remixes from Julio Bashmore are sounding pretty excellent right about now (and yes, despite how they’ve been named, they are brand spanking new). The man lays hands on Deadboy’s banger from back in 2009, “Heartbreaker” for Brighton-based label Housing Project (a sub-label of Well Rounded). The “2009 Mix” finds Julio giving the original the footwork treatment, while the “2010 Mix” pushes the tune into some proper house territory, with both sounding tempting, indeed. You’ll be able to find this one out on October 3/4.
P.S. For those of you who are curious, peep the original track from Deadboy below.
Slidecamp | “Geometer”
This is news that’s been a long time in the making. SF/LA duo Slidecamp (aka Boreta and Comma) are finally releasing their self-titled first album on Alpha Pup Records offshoot Glass Air next Tuesday, September 6. Check out the first cut, titled “Geometer”, below—it’s a chillwave dreamscape workout, and one hell of an opener. If you haven’t heard these guys before, you’re in for a special treat that Bay Area residents in particular have been eagerly awaiting for several years, now. Our Friday has been made, that much is certain.
Mano Le Tough | ‘Stories EP’

The latest effort from Mano Le Tough looks like it’s going to be absolutely gorgeous. Titled the Stories EP, you can find it out on London imprint Buzzin’ Fly on September 19/20. For now, check out the samples below.
Legowelt Releases Free Album | ‘The TEAC Life’

Though it is not always apparent, like every other form of music, techno has its purists and its innovators; its lovers of analog and its pushers of digital. As an artist who emerged right as the transition between these two schools of thought really began to take hold, Legowelt is one of the most prolific of the last standing proponents of true “old school” aesthetic, and he wants you to know there is a difference. So, earlier this week, the man gave us all a gem, a new free album, called The TEAC Life, which you can grab directly from his site. He says about this latest effort:
Its got a hella lot deep tape saturated forest-techno tracks on it and when I say Techno i dont mean that boooooooooooring contemporary shit they call techno nowadays …
F*ck that, I am talking about: Raw as fuck autistic Star Trek 1987- Misty Forests- X-FILES,- DETROIT unicorn futurism made on cheap ass digital & analog crap synthesizers recorded in a ragtag bedroom studio on a TEAC VHX cassettedeck in DOLBY C with an unintelligible yet soulfull vivacity.
But of course, if you like what you hear, do throw him a few bones so at the very least, he can repair his Juno 106 and do it all over again. It’s only fair when it sounds this good.
Gaiser | ‘Some Slip’
MINUS112 - “Some Slip” by Gaiser from Minus / Plus 8 on Vimeo.
The latest release from Gaiser looks to be one hell of a banger, if the previews are anything to go on. Both he and Richie Hawtin have been giving the A-side, “Some Slip” quite a lot of play lately, and it’s hard not to hear why. Below is a recording of Richie playing it at Germany’s edition of the Time Warp festival earlier this year (nevermind the nonsensical still, there), where he summarily wipes the floor with this one.
Physical copies of Some Slip are (supposedly) out now, with digital copies available August 10.
Edit: Now you can hear an official version of the whole A-side!

